Here are some reviews I just wrote for Beautiful/Decay. I’m sorry for the lack of posting. Please, if you know my email address, email me and suggest some shit to write about. All I can think of is zombies and being a pervert in the city. It’s been done.

Lodeck – Behold
Lodeck is a Russian import with one of the sickest voices I have ever heard. He talks about what its like to pour out booze for decayed crackhead friends, how fucked up the deep end of Brooklyn is for an immigrant youth, how foolish humanity is, how the world could get better with the slightest bit of imagination and hustle, and how awesome/terrible toothless blowjobs are. The beats are fantastic (Bad Touch: tell your friends), Breeze Evahflowin’ shows up, Blockhead turns in two amazing remixes, Jedi throws in some cuts, the production is thick and sparse at the same time, he doesn’t ever say “overstand”, and the choruses do not suck. Why you do not own this yet is far beyond me. Use your head(phones): Support Lodeck.

Raheem Jamal – Boombox
Wait till it gets nice outside, hang your boombox out your window, and blast this album. If anyone yells at you to turn it down, get rid of them. If anyone compliments you on your choice of street music, invite them in, give them beer, and start this record from the beginning. Instant summer. Raydar Ellis’ beats are warm-weather-class with big soul jazz samples, fat drums, smooth guitar, string sections, and horn blasts. And Raheem, who doesn’t seem to take himself too seriously, spits easily about girls, the city (Boston), the good times, the hard times, and all of the things we love about hip hop. Raheem and his Project Move buddies should have released this on tape. My boombox only plays tapes.
Dos Noun and Burns – The Fall of ‘98.
In the fall of 1998 I was pushing an ’86 Chevy Nova 4 door go-kart with a warped Rhymesayers tape stuck in the deck, and the only time I touched a booty was by accident on an escalator at the Mall of America. Hindsight can’t even make that shit look cool, but I do remember that “hip hop” was fuckin’ everywhere, and it was cool because it was a resistance to “rap”. Back then folks still made that distinction, because you could either pay 3 bucks to see 19 emcees in a hot basement, or you could turn on BET and bust Jadakiss in a shiny suit. I get the feeling that Dos Noun and Burns from Pittsburgh feel the same way. The Fall of ‘98 is that underground record, the one that some dude sold you for 5 bucks out of his backpack, the one that proudly ended up stuck in your deck.
Let me be honest,
“We family, we family, lemme talk to ya”
-Bernie Mac
Maaaybe you can tell they were written a little hastily, my schedule was kicking my ass at the time, yet I always wait till the last minute to do that shit. That last one, I had a problem, I really didn’t like the record, I will be honest. It had a lot of the problems of an underground hip hop record, the choruses were too long and bad, the album itself was too long, and sometimes the lo-fi production got in the way of enjoying the record. Sorry to any B/D folks reading this, I wasn’t feeling it, but since it was for the “Recommends” section, I tried to stay positive, or at least entertaining.
Anyway, the music is good, go check that shit out. And let me know what the fuck I need to be writing about on here. I’m too broke to go out and act like an ass…I will wait until I get paid, or maybe wait until Ogre comes to visit. That’s going to be fuckin sweet.