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Archive for the ‘Music’ Category

Recaptured: L5d live in his parents basement.

Tuesday, September 1st, 2009

L5D Live 8-20-08

“Recaptured” is a series of old content – music, recordings, writings, photos I’ve been coming across in random shoeboxes and plastic crates. (Hopefully) by digitizing/writing this stuff up I will keep it from being lost forever.

In the summer of 2002, I was delivering pizzas…I think. Either that or I was just home from college, idle, waiting to start my sophomore year of college. Doesn’t matter. My friend Colin, who I have been friends with every day of my life, save for one (He was born one day after me, I think in the same hospital) is creative. I consider myself creative, but Colin is purely so. The creative part of his brain is larger than the rest. He’s about 90 percent creative ideas, and 10 percent other stuff. He’s amazing in the way that aggressively creative people are: odd, uncomfortably hilarious, and intimidatingly brilliant. We spent the better part of 6th grade making comedy recordings and selling the tapes in our respective classes. We made 50 bucks…which is about a billion dollars in kid money.

Anyway, in 2002 Colin had just started synthesizing his musical influences (shoeboxes full of old tapes, Boards of Canada, Autechre, old metal) into a project he named either L5d (see the play on letters there?) or Advanced Ants Dance, depending on the day you asked him. He’d pack himself into his parents garage/basement on Portland Avenue in Bloomington, Minnesota for hours with his sampler, an old busted floppy-disk sampling keyboard, his bass, and a collection of unspooled VHS tapes and cassettes with strange markings all over them, cutting…pasting…creating. The results sounded like Madlib filtered through Boards of Canada’s screened-in-porch.

One night in August…for some reason (a birthday?) he had some friends over to his parents house to “play” a little L5d “show” for everyone. It was me – in the early stages of my Palahniuk-reading academic paranoia, his friend Ariya – co-conspirator in their tapedeck-rap project Fumanji, Mark – another insanely brilliant madperson who at the time was studying Remote Viewing, and David – a small, absurdly nice kid they (and me, only once) used to call “Squeaky” in middle school, on account of his abnormally high pitched voice.

At the time I was gently fucking around with my own music, and I was attracted to “found sound”, so I brought my trusty Pressman tape recorder over to record the show. It was loose, but there were some snatches of real brilliance, all drenched in that unbelievably appealing tape-hiss sound that can only come from analog equipment and roughly chopped samples.

I came across that tape recently, and digitzed it to put up here. Because it needs to be heard. In the background if you hear a small laugh, that’s David. Who by that point had transcended the high school bullshit, and had a great crew of friends who loved him. He was doing well, working at Batteries Plus at the time (he was still wearing his work uniform that night I believe). About a year later, he was found dead from a self-inflicted gunshot wound. I mention this not to add cheap gravitas, but to give him the credit he deserved as a good person. He’s here on this tape, and was really important to the moment. Rest in Peace man.

So check these out, they are definitely worth a damn…If you click “share” you can download the mp3

L5d – 8-20-02 – 1

L5d – 8-20-02 – 2

L5d – 8-20-02 – 3

Omnii Myspace Pic

L5d now goes as Omnii. Check out Omnii’s music here and look out for his completed album soon.

Also, this is Mark’s Myspace. I’ve written about his comics/writings/photography here before, check him out. His stuff is like Adult Swim’s editing floor…the shit that was too crazy for the craziest minutes on a late Sunday night.

THIS IS GOOD: Majeure – “Teleforce”

Monday, August 31st, 2009

Zombi is an amazing band…well…the one song I heard that was 17 minutes long was fuckin’ amazing.  “Majeure” is the new project by Zombi’s drummer.  It’s amazing, in that Blade Runner-y, arpeggiated analog disco hell from the Cobra soundtrack kind of way.



“Go ahead. I don’t shop here.”

My Favorite Interview Ever – Eyedea in 3 parts.

Thursday, July 9th, 2009

Further adventures in Lazy Journalism…

My Favorite Interview Ever – Eyedea in 3 parts.

In 2008, I was assigned by my Metropop editor and major-label-publicist to cover this event – Sound Set, a massive hip hop festival put on by Rhymesayers, the originators and rulers of the Minnesota Hip Hop scene – in Minneapolis.  He needed some video/interviews done with Atmosphere, that he wanted to hand off to Buzznet… a site that trafficks Warped Tour/Hot Topic level music porn for 13-16 year olds.

He picked me because I’m from Minneapolis, and I was pretty connected to the Rhymesayers scene back in the day….as a fan, at least.

In 1998-99, if I wasn’t at Root Cellar, gobbling up gore-soaked Florida death metal records and obscure Swedish Death Metal, I was either at Synasthaesia, the MN Rave Scene record store/headquarters, or at Fifth Element.  Fifth Element was the record store where it all started for Minneapolis Hip Hop.  It was run by a a bunch of rap cats, and at any given time you could find Slug (of Atmosphere) in there with Mr. Dibbs, Eyedea, DJ Abilities, Brother Ali, Deejay Bird, and company.  If you were lucky you could catch them freestyling and bullshitting as they sold you some wild-ass obscure mixtape (that they had probably recorded themselves).

At that point, their crew/label, called “Rhymesayers”, had gained a little bit of local notoriety, playing small clubs and generally being awesome.  Slug (of Atmosphere) was the shit-talking ringleader.  Talented as hell, with a little bit of a rockstar complex…which is a nice way of saying “Dude could pull pussy from a TJ Maxx at 2 on a Tuesday”… he was clearly the first in line to “blow up”.

Then there was Eyedea.

If Slug was the wise-ass ringleader, then Eyedea was his smarter and more technically talented enforcer.  The sniper you bring in to get the job done.  Slug could rap, but Eyedea could freestyle.  To this day, I haven’t heard anyone as impressive as Eyedea in a battle.  Period.

That’s what defined Eyedea for a minute, his uncanny ability to actually let unwritten shit come out of his mouth with punch lines like he actually wrote the shit.  His albums with DJ Abilities (a DMC beast in his own right) were great as well, but at that time, he really rode on his amazing skill as a battle rapper/ emcee.  And rightfully so.  Eventually, after his inventive-yet-controlled album, “E&A” with Abilities came out on Epitaph in 2004, he kind of disappeared.  No one saw much of him.

Fast forward a billion years, through the crest of the wave (‘98-’99-’00), through major label deals, through world tours, through the cries of “sell out”, and through the eventual reckoning… to land in ‘08.  Rhymesayers had blown up.  Way up.  Atmosphere was selling tens of thousands of records, Brother Ali had just dropped the amazing and critically acclaimed The Undisputed Truth LP, P.O.S. and his Doomtree crew were already carrying the torch to a new generation, and Minneapolis was firmly planted as a true destination for great new Hip Hop.

Sound Set was their deserved hometown celebration.  Aesop Rock, Atmosphere, Eyedea and Abilities, P.O.S. and a variety of regional up-and-comers were set to perform.  I was set to do a story…like always, I was planning a massive peice – covering the scene from its roots on up to this massive spectacle in the Metrodome parking lot.

By the time I boarded my plane to get out there though, Buzznet decided they weren’t interested in hip-hop anymore.  “Emo and pop punk” I think were the EXACT words used.  So there would be no story.  I talked to my friends at Frank 151 and they were semi-interested, but it was clear there wasn’t going to be a full fledged article or feature coming out of my time at Sound Set.

Fuck it, I thought.  I still have a press pass, and a Rhymesayers press contact, so I’m going to hang out with Joey, drink some beers, get some interviews, check out some music, and maybe put something together for my own blog.

I interviewed Slug first and totally choked.  In my opinion, it was awful.  I have a video of it, and maybe one day I will get up the balls to post it.  My second interview was with Brother Ali, and it was great.  He was candid, nice, cool and forthcoming with me.  I really appreciated it and I will get a video up soon.  My final interview was supposed to be with Eyedea, who I hadn’t seen all day.  His mom was walking around, wearing a shirt that said “Eyedea is dead” (only she’d crossed out “dead” and wrote “alive”), and every time she’d pass me she would say with a smirk, “Michael will be ready to talk to you soon.”  Fine with me.

Eventually this scruffy dude in an orange cowboy shirt came up to me and said, “Alright, let’s do some damage”.  I had seen this dude around all day in the press/VIP area, but I never put two and two together.  It was Eyedea.  He was ready to talk.  What ensued was one of the coolest interview experiences of my life.

A few notes:

1.  The sound is bad because there was a massive stage right behind us.  If you turn it up though, its not so bad.

2.  It took me so long to get this together because a) I’m lazy and b) youtube wont let you upload 18 minute long videos so I had to wait until I got an external hard drive so I would have enough space to split it into three parts.

3.  I sound like an idiot.  Listen to him, not me.

4.  That maniacal laugh you hear every once in awhile is Joey, holding the camera.  His laugh rules and so does he.


Part 1


Part 2


Part 3..until the tape ran out

That’s it…